Architectural renderings of The Mill and Mine, coming soon to Downtown Knoxville:
Click image for more/bigger...
More info and remarks by the development partners and Mayor Rogero in the press release after the break...
“The Mill & Mine” Opens with Big Ears Festival;
New and Different Concert and Event Venue for Knoxville
Knoxville, TN March 8, 2016 - It’s not like any other venue in Knoxville.
From it’s stage, a band can play to a crowd of over 1,200.
For a formal event, it can seat 500 for dinner.
And for downtown Knoxville it represents a unique partnership of visionaries expanding what the area has to offer and helping downtown grow to the north.
What’s more the Mill & Mine will feature over 5,000 square feet of outdoor courtyard lawn to compliment the 20,000 square foot concert hall and event space.
All of this in the former Industrial Belting Supply warehouse – which supplied equipment for both mills and mines - at 225 West Depot Avenue.
The multi-million dollar facility represents a partnership of three longtime downtown visionaries: Developers David Dewhirst and Mark Heinz of Dewhirst Properties and Ashley Capps of AC Entertainment. The project was financed by Pinnacle Financial Partners.
“With the exciting energy and growth that downtown Knoxville is experiencing, this venue is the missing link in our cultural scene,” says Capps. “As a world class club, event, and gathering space – with state-of-the-art sound and lights – the Mill & Mine will be an exciting and dynamic hub of activity. It will beautifully complement our two historic theaters – the Tennessee and the Bijou – and have a very real, even transformative impact on the continuing evolution of our city.”
“Once the venue is complete and fully operational – we anticipate operating seven days a week,” says Dewhirst. “The courtyard lawn will have bars and shaded lounge seating for people to gather with their friends. There will be an outdoor stage as well as a big screen for showing everything from movies to sports events. It will be a multi-faceted, multi-dimensional experience unique to Knoxville”
“We’re especially excited about the diversity of what we can host here,” says Heinz. “We’ve already booked concerts, charity dinners and weddings with lots more to come.”
The City of Knoxville played the leadership role in expanding downtown redevelopment to the North and linking two historic areas.
“The Mill & Mine is another big step in the revitalization of the area around Depot Avenue and West Magnolia,” said Mayor Madeline Rogero. “The City of Knoxville was happy to assist the development with a PILOT and a commercial façade loan. On a personal note, I have fond memories of seeing great bands at Ashley Capps’ club Ella Guru’s, and I am delighted to see him involved in another local venue.”
“We’re deeply appreciative of the help the Rogero administration shows not just to this redevelopment, but to great projects across the city,” says Dewhirst. “It’s making a difference.”
Visit Knoxville is charged with bringing both business and leisure travelers to town and its President, Kim Bumpas, says new venues like this help Knoxville as a destination.
“The Mill &Mine will help expand what we have to offer,” says Bumpas. “The more we have to market increases the potential audience for Knoxville. People who visit our destination will appreciate the variety of entertainment that this venue will provide in the heart of downtown.”
The Mill & Mine will have virtually everything people could want to stage for any kind of event. Easy loading spaces, private rooms, a catering kitchen capable of serving a restaurant, which may be part of future plans. The main concert space has a second floor balcony for viewing and viewing rooms and decks along both sides.
Although the full project will not be completed until summer, audiences will get their first opportunity to experience the Mill & Mine in just a few weeks, when it will host a series of concerts during the Big Ears Festival, staring on Thursday, March 31 through Saturday, April 2. Artists performing there during the festival include jazz saxophonist and Kendrick Lamar collaborator Kamasi Washington – who was just awarded the American Music Prize – along with indy rock legends, Yo La Tengo; electronica artist Nicolas Jaar; and the legendary Sun Ra Arkestra.
“When we first saw this building years ago, we knew it had potential,” says Heinz. “Frankly, the Mill & Mine is even more than we first envisioned. And we think it will help bring even more growth to this area.”
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Kamasi Washington will be worth the money spent.
I've been thinking about doing a one day pass for Big Ears, me of little financial resource. If the current workplace agrees with my request I may have to make it a Kamasi Washington event.
And something else I've noticed....
Hallelujah it looks like festival standing to me! No seats on the bottom floor. I'm not sure if jazzy moshing is a thing but it's worth a try you know.
standing is not good
(in reply to Celestial Dung)
What is it that leads people to think standing for two hours to hear music is a good thing? Maybe for people in their twenties who enjoy maneuvering for a sight line with tall people with hats in front of them. I hope that is not the plan.
There were folks in their 70s
(in reply to yellowdog)
There were folks in their 70s and 80s attending performances in the museum last year who were unable to stand. The staff was kind enough to provide chairs on request.
If everyone else is standing
(in reply to michael kaplan)
a seated person can only listen. If it is a dance party, I get it. If it is not, it is not fun except for healthy tall people without back issues.
Typically I don't go to a
(in reply to yellowdog)
Typically I don't go to a show unless I can get seats from which I can easily see the stage.
To me that involves angled seating rising in elevation in each row.
Not sure who came up with the idea of one armrest between seats, or more significantly, all the people that think that is a good idea to propagate, but it is a bad idea.
I always try for an aisle seat. Seats are just too narrow from my experience.
Building Concert Halls, Part 1: What makes a great concert hall?
And the beautiful thing
(in reply to jbr)
And the beautiful thing is...if you live in Knoxville, you have two fabulous historic theaters which are seated and provide you with the experience you prefer. The Mill & Mine will offer the opportunity to also provide a different experience for the artists and audiences that prefer that. Plus, we will be able to do some seated shows as well when the occasion calls for it.
I didn't mean to come across
(in reply to AC)
I didn't mean to come across as attacking the Mill and Mine. It's great to see the new place. It potentially adds to a desirable atmosphere in downtown area. I just threw in my 2 cents on what I prefer in general for conversation.
While we are talking new performance venues in Knoxville.
What about a glassed in, floor to ceiling, concert venue on the south waterfront? With removable glass. Not a huge structure. Something that fills in one of the capacity gaps. If we have one.
When would that be?
(in reply to AC)
AC how would y'all decide "when the occasion calls for it?"
*
(in reply to yellowdog)
For me it's the vibe of the
(in reply to yellowdog)
For me it's the vibe of the music. Music hits not just the mental and emotional but also the physical, causing spastic movement and absent minded toe tapping. While I have been to sitting places for concerts I much prefer the absolute power of standing up and being able to hop, dance, wave, sway, and vibrate constantly.
And also their is my firm belief, now backed by medical science, that the more you sit the faster you age.
But for people more comfortable sitting their is the upstairs area and from what I've read my over exuberance for a no dirty chairs ground floor is premature. It sounds like it's gonna be a more expansive version of Scruffy City hall.
lol
no comment on the venue at all, but the all-white-middle-class clip art crowds in these things crack me up... immediately thought of the recent renders of white-only crowds done for the magnolia ave project...
In defense of the architects,
(in reply to A_Falk)
In defense of the architects, those renderings were put together very quickly at the last minute for the press conference, and I think if you look again you will see "people of color" as part of the crowds.
Perhaps more importantly, however, it may be worth noting that the performers playing the first weekend at the venue during the Big Ear Festival comprise a number of leading black artists - including the Sun Ra Arkestra - now led by Sun Ra's right hand man and amazing saxophonist 91-year old Marshall Allen - along with the jazz man of the moment and Kendrick Lamar-collaborator Kamasi Washington and his band, the amazing African guitarist Bombino, and visionary Chicago House DJ, Hieroglyphic Being...among others.
So come down and hang out with us!
no worries
(in reply to AC)
excuse my snark -- although i was reminded of the recent magnolia ave. debate by the architectural rendering, definitely didn't mean to imply yall made any missteps here in context :)